In Progress (12/1/4), to be detailed later!
Brynn's adventures in glass arts, especially as they relate to the SCA A&S. Always something new to try...
Sunday, November 30, 2014
Sunday, October 26, 2014
"Dogboning"
I enjoy making fused items, too. I made two plates for Their Majesties lunch at Fall Crown last weekend. I had an issue with the first one, and turned to the great people at Fused Glass Fanatics on Facebook.
I was informed this is called "dog boning" and is the result of firing either too quickly or to too hot a temperature. After giving my firing schedule I was told the pre-set schedule I've been using goes about 100°, maybe 150°, too hot. I'm very glad to know this, and to know there is a term for it!
The "not quite right" but serviceable plate, in the mold.
I was informed this is called "dog boning" and is the result of firing either too quickly or to too hot a temperature. After giving my firing schedule I was told the pre-set schedule I've been using goes about 100°, maybe 150°, too hot. I'm very glad to know this, and to know there is a term for it!
Purple Fret Scroll for Lady Kat the Green
A few shots from a quick scroll for Lady Kat the Green of House Dark Horse. She received a Purple Fret last weekend at Fall Crown.
Not happy with the soldering. I've been spending some time doing drills of the basics (cutting, soldering), so focus on them. I think at times I get sloppy and need to slow down, focus, and don't forget the basics when I'm thinking about flashed glasses and silver stains and so on!
Calligraphy done by THL Justice McArtain, who was trying calligraphy on glass for the first time. He had positive things to say about it and has agreed to write another scroll I have in mind.
This is also my first pattern made using Pattern Wizard. Photoshop always gives me fuzzy lines which I'm realizing hurts the accuracy of my cutting, no matter how well I think I can "see" the line anyway. I also keep doing these on short notice... all of the soldering for this scroll was done in a few hours at night after site setup and immediately before going to bed (with "sleep" the reward for finishing it... that doesn't encourage careful work, and I need to stop doing it!)
I was initially unhappy to use "gold" glass but I didn't have enough of my "lemon yellow" sheet left. I used it for the last purple fret suncatcher I made as largesse. In hindsight I think this looks infinitely better than the lemon yellow, and I love that texture (believe this is spectrum waterglass).
At the urging of friends I won't sit and do a critique of my work and the spots where I'm unhappy with the rushed and in-the-dark soldering. If you don't see them, thank you :). If you do, know that I do too :)
I also learned that this reign Their Majesties Cadogan and AnnMarie "escrowed" a copy of their signatures with the Dragon Signet for those making alternative scrolls. I think this is AWESOME. I didn't directly trace the signatures because even enlarged they appeared to have been written with the World's Smallest Calligraphy Nib so I tried to paint them in a similar hand. Seriously, if I couldn't see the varying line widths I'd swear it was a ballpoint pen, I want to see the nib used!
Lessons Learned
Don't solder or generally work on a 48-hour deadline, dang it.
Have GOOD lighting while soldering. Don't solder while your crash space-ees are trying to sleep.
Not happy with the soldering. I've been spending some time doing drills of the basics (cutting, soldering), so focus on them. I think at times I get sloppy and need to slow down, focus, and don't forget the basics when I'm thinking about flashed glasses and silver stains and so on!
Calligraphy done by THL Justice McArtain, who was trying calligraphy on glass for the first time. He had positive things to say about it and has agreed to write another scroll I have in mind.
This is also my first pattern made using Pattern Wizard. Photoshop always gives me fuzzy lines which I'm realizing hurts the accuracy of my cutting, no matter how well I think I can "see" the line anyway. I also keep doing these on short notice... all of the soldering for this scroll was done in a few hours at night after site setup and immediately before going to bed (with "sleep" the reward for finishing it... that doesn't encourage careful work, and I need to stop doing it!)
I was initially unhappy to use "gold" glass but I didn't have enough of my "lemon yellow" sheet left. I used it for the last purple fret suncatcher I made as largesse. In hindsight I think this looks infinitely better than the lemon yellow, and I love that texture (believe this is spectrum waterglass).
At the urging of friends I won't sit and do a critique of my work and the spots where I'm unhappy with the rushed and in-the-dark soldering. If you don't see them, thank you :). If you do, know that I do too :)
I also learned that this reign Their Majesties Cadogan and AnnMarie "escrowed" a copy of their signatures with the Dragon Signet for those making alternative scrolls. I think this is AWESOME. I didn't directly trace the signatures because even enlarged they appeared to have been written with the World's Smallest Calligraphy Nib so I tried to paint them in a similar hand. Seriously, if I couldn't see the varying line widths I'd swear it was a ballpoint pen, I want to see the nib used!
Lessons Learned
Don't solder or generally work on a 48-hour deadline, dang it.
Have GOOD lighting while soldering. Don't solder while your crash space-ees are trying to sleep.
Thursday, September 25, 2014
Big Book Horde!
Got a few books in, gifts for my birthday.
A Book of Ornamental Glazing Quarries: Collected and Arranged from Ancient Examples
Sir Augustus Franks
5/5
AWESOME book. I was expecting mostly text, hopefully a few pictures. I was VERY pleasantly surprised to find out the book is approximately 30 pages of text and several hundred pages of full-sized quarries, ready to be traced. If you have an interest in painted quarries, get this book. The only way it could have been improved would be better information on each quarry (most just indicate the church of residence)
Stained Glass Tours In Spain And Flanders
Charles Sherrill
1/5
This was not what I was expecting. It seems like Spanish glass is not well documented, though I understand Painton Cowen is working on it. This book was a lot like a travelogue or journal, detailing a tour group through Spain. There were a few half-useful bits of information to be pulled out, but was not really relevant to my interests.
Italian Stained Glass Windows
Giuseppe Marchini
3/5... though I want to give it 5!
This is a beautiful book. It is a little light on text, but it does have good information. The bulk of my copy are "plates" featuring color photos that appear to have been glued onto their pages at publication. I'm not sure why that would have been done! There are also a number of beautiful pictures done on transparency, to hold up to a light. It is a beautiful way to display stained glass pictures.
Essays in the History of the York School of Glass Painting
John A Knowles
4/5
Honestly I've just opened this book so far, but I'm very excited and pleased. The book features a wealth of information on the "context" of stained glass in York. Prices, quality, design influencers and influencees. There are also plenty of direct illustrations of design elements. I was interested in this book because of my work on Circa 1200 at Pennsic with House Yew Bend, but it's great for anyone else who likes the context of glasswork as well as actual technique. Not a 5 because it's a bit of a niche, and not essential for technique, etc. but well worth it for anyone wanting more context!
Subscribe to:
Posts (Atom)










